Edmund Morriss first book, The Rise of Theodore Roosevelt, won the writer critical  cheers and a Pulitzer Prize, and brought him to the attention of the friends of Ronald Reagan, who enlisted Morris to write an authorized  life-time of the fortieth president. The  resolvent was the almost univers alto contracthery panned Dutch, a book that indignant the Reaganites and irked the critics by injecting a fictionalized Morris into the middle of Reagans story.  What caused this plunge from grace? The author pleaded literary  permit for his departure from the norms of nonfiction, but one has to  venerate whether something else was involved. Every biography is a life and times, and every biographer is  two a  portrayer of life and a historian. The best biographies  train the talents of their authors to the salient aspects of their subjects and stories. Morriss Rise of Theodore Roosevelt was  in effect(p) such a match, for Morris is above all a portraitist - perhaps the best currently  writte   n material - and the  boyish Roosevelt was a subject for portraiture like  some others in the annals of American life: brimming with energy, bursting with himself,  natural  take a hop off the canvas of every page.  Ronald Reagan was a different  be entirely. The Gipper told amusing anecdotes, and in his maturity had one big   idea: that communism was the root of all evil.

 But as an individual, as a subject for a literary portrait, he  washed-out into obscurity next to Roosevelt. Reagan was, in some respects, as   indwelling as Roosevelt, but his importance lay in his   coalition to his times. And that connection fall   s in the realm of history  sooner a than por!   traiture, where Morris is  slight adroit - and, by all evidence, less interested. Having  legitimate a multimillion-dollar advance for his Reagan book, he must  stand  felt a need to populate it with...                                        If you want to get a full essay, order it on our website: 
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